Infrastructure, RAW Académie, ICA Philadelphia, directed by Linda Goode Bryant
March 16–May 22, 2022








Garbage Projector, 2022
Video (44:15) displayed on a discarded projector found on the streets of Philadelphia, PA, ink on paper







There are two groups of protesters:
One calls for the end of their exclusion
The other calls for the dismantling of the system of exclusion
For some, art is a route to power
For others, art is a route to power

















The Mobile Museum, 2022
(w/Baptiste Manet, Matthias Mushinski and Chantal Vorobei Thieves)

More
















Space Within These Lines Not Dedicated, 2022
(w/Rehema Chachage and Chantal Vorobei Thieves)

More ⤵︎












Variations of an Insistence: an Index of Alternative Infrastructures for Art
(w/Ana Milena Garzón Sabogal)

a growing index of models for the development of
equitable, sustainable and socially-focused arts infrastructure

















Permanent Collection, 2022
Peep hole drilled into the gallery wall at ICA, Philadelphia (drawings by ICA staff, past and present), ink on paper


There is an exhibition behind these walls
It is not open to the public and you are not allowed to see it
It is the only permanent display at ICA
and it contains the only artworks that can be said
to be in ICA’s permanent collection
















Hopes and Fears, 2022
Transparent packaging tape, ink on paper



















On Gesture and Risk, by Sean O’Toole
☚ Read essay














Ends and Beginnings, 2021
Fat (beef tallow) and charcoal pigment (burnt wood from mountain fire)



I must apologise, I would have preferred
to present to you an empty room
with no art and unimportant walls
at a time when this would have sufficed
because no art was needed. When
I had nothing to say, though you
were still listening
There were no issues to address
and there was no need for exchange
You were not searching
I was not selling anything
Everything that needed to be said
had been said
Everything that needed to be done
had been done


















Relief on Hospital Floor with Serving Spoon: 2021.09.19
hand-pressed relief on paper

















Keeping Up Appearances: 2021.12.17
hand-pressed relief on paper












Carve Until There Is Nothing Left: 21.05.26




Carve Until There Is Nothing Left: 21.05.26, 2021
hand-pressed relief on paper, 107 x 76cm
















Lockdown Monotypes, 2020-21


With no access to supplies
Make a monotype every day using tools at hand
palette knife, knife and fork, credit card
dishwashing gloves, tissue, packet
Construct the image spontaneously
Don’t plan ahead
Don’t assess the result
Mark each piece with the number of the day


View ⇶














Seen and Not Seen, 2019
Performance with bathtub, water, soap, cotton towel, cotton bathmat, towel rail, soap dish, 155 x 200 x 150cm, duration: 39 days


Install a bath in the gallery.
Bathe only there for the duration of the exhibition.
Don’t change the water.
Photograph the bath mat every day.



















Tragedy of the Rainbow Warriors (after Jannis Kounellis and Francois Pienaar), 2021
Chip packets, coat rack, Springbok supporters jerseys, shelf, paraffin lamp



































If It’s All the Same to You, 2018
Ink on paper
















Serra’s List, Revised, 2018-21
Ink on paper
















Waste Management, 2017
Linocut on paper, monotype on paper, glue



Linocuts and monotypes, taken from my archive, torn into strips and assembled to form a stack.



















Rocking Chair, 2016
Linocut on paper
















Folding Underwear, Ironing T-shirts, Making Work, 2016
Linocuts on paper



























Mark